Giambattista Tiepolo
|
|
|
1696-1770
Italian painter, master of Venetian school. Tiepolo was famous in his own lifetime as a superb painter in fresco and a brilliant draftsman. A highly inventive artist, he could create spectacular effects in difficult sites, from the narrow gallery at the patriarchal palace at Udine in the mid-1720s to the vast staircase ceiling in the Residenz at Werzburg in the early 1750s. Contemporaries recognized his spirited, dynamic approach to subject matter and his frankly sensuous manner of painting. Tiepolo is comparable in his restless energy and imaginative power to Peter Paul Rubens, and essentially he worked with a similar baroque language of myth, allegory, and history, which he infused with a sense of freshness and modernity. His approach to religious art is characterized by candor and naturalism, while he was responsive to the different concerns of patrons and viewers at a time when the church was faced with new kinds of devotion and criticism. With the advent of neoclassicism, Tiepolo's art fell from favor: In an age that prized archaeological correctness, rationality, and ideals of improvement, his witty, Veronese-inspired conception of historical or classical subjects seemed frivolous, while his visually seductive qualities were seen as inimical to the serious intellectual aims of the new art. Nevertheless, his drawings and oil sketches continued to appeal to collectors, including Antonio Canova. The son of a Venetian shipping merchant, Tiepolo was apprenticed in 1710 to Gregorio Lazzarini (1655C1730), an artist of international reputation patronized by prominent Venetian families. Before becoming an independent master, he worked in the household of Doge Giovanni Corner; members of the Corner family were to be his most steadfast and liberal patrons. Lazzarini encouraged his pupils to study Venetian sixteenth-century art, and Tiepolo made drawings of some famous works for publication in Domenico Lovisa's Gran Teatro di Venezia of 1717. His early involvement with the thriving Venetian engraving and publishing world was renewed in 1724 when he made drawings of antique sculpture as illustrations for Scipione Maffei's Verona Illustrata, an experience that gave Tiepolo an imaginative empathy with fragmentary antique remains, which recur in his drawings, etchings, and paintings. As well as studying the art of the past, Tiepolo looked to the tenebrism of Federico Bencovich (1677C1753) and the realism and monumentality of Giovanni Battista Piazzetta (1682C1754). In 1719 Tiepolo married Cecilia Guardi, with whom he was to have nine children. By then, the artist was working for a network of mercantile and noble patrons on religious and secular subjects. |
|
|
Saint Tecla at Este new25/Giambattista Tiepolo-439633.jpg Painting ID:: 87050
|
oil on canvas, 1759,
cyf |
|
|
|
|
|
|
|
|
Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online: The Ford / myspace background image / Portrait of Cardinal Leopoldo de Medici / Brundidge / Greek Interior / Digger-s Wedding in Melbourne / Landscape with Ruins af / Porozina / Pissarrow Camille / Storm and Wreck on the Cornish Coast / Sleeping Woman / Vase with Red and White Carnations on Ye / IFLA / Friesach / Baptism of Christ -detail- a / Salzburg / The Servant Girl / The Church at Gisors / Sail Boats at Argenteuil / Aved, Jacques-Andre-Joseph / details The Raft of the Medusa -10- / Loch Lubnaig,Perthshire -470 / Portrait of Eugene Murer / The Fem holding parasol / The Pyramids Road / Portrait of Mariana Waldstein -05- / Coronation of the Virgin,with Sts john t / hardwood mouldings / Home of the Pioneer / Portrait of a lady,half-langth seated,we / Landscape with Herdsmen Gathering Sticks / The Rest on the Flight into Egypt 2 / Christ on the Cross / Northcrossett / Marianne Leaving the Judgment Seat of He / Keila / The Duck Pond / Morning,winter sunshine,frost the Pont-N / Venus and Adonis / The Studio of the Painter ar /
|
|